'Arguably the most distinctive truth teller to emerge in British poetry...Despite her thematic preoccupations, there's nothing conscientious or worthy about Hill's work. She is a flamboyant, exuberant writer who seems effortlessly to juggle her outrageous symbolic lexicon...using techniques of juxtaposition, interruption and symbolism to articulate narratives of the unconscious. Those narratives are the matter of universal, and universally recognisable, psychodrama...hers ... Read moreis a poetry of piercing emotional apprehension, lightly worn... So original that it has sometimes scared off critical scrutineers, her work must now, surely, be acknowledged as being of central importance in British poetry - not only for the courage of its subject matter but also for the lucid compression of its poetics' - Fiona Sampson, Guardian; 'Hill, more than any other English poet, cranks out angry, impotent, abused and richly surreal Britain. And she is very very funny...fresh, fierce and convincing... A mood-swinging voice, talking to itself rather than to the reader, shows how pain and joy transform the material world.' - Claire Crowther, Poetry London; 'Her adoption of surrealist techniques of shock, bizarre, juxtaposition and defamiliarisation work to subvert conventional notions of self and the feminine... Hill returns repeatedly to fragmented narratives, charting extreme experience with a dazzling excess.' - Deryn Rees-Jones, Modern Women Poets Show Less