16%OFF
Stock image for illustration purposes only - book cover, edition or condition may vary.
Symbolic Narratives / African Cinema: Audiences, Theory and the Moving Image
June Givanni
€ 48.99
€ 41.01
FREE Delivery in Ireland
Description for Symbolic Narratives / African Cinema: Audiences, Theory and the Moving Image
Paperback. Presents a forum for debate between the different African cinematic communities (including North African filmmakers). This book features topics that range from the problems of production, exhibition, and distribution to questions of 'modernity', postcolonial theory, and the presence of western cultural imperialism. Editor(s): Givanni, June. Num Pages: 272 pages, biography. BIC Classification: 1H; APF; GTB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 157 x 21. Weight in Grams: 512.
In the conference Africa and the History of Cinematic Ideas held in London in 1995, film-makers, cultural theorists and critics gathered to debate a range of issues. Views were exchanged on such topics as imperialism, and the problems of distribution.
In the conference Africa and the History of Cinematic Ideas held in London in 1995, film-makers, cultural theorists and critics gathered to debate a range of issues. Views were exchanged on such topics as imperialism, and the problems of distribution.
Product Details
Publisher
British Film Institute
Number of pages
244
Format
Paperback
Publication date
2001
Condition
New
Number of Pages
272
Place of Publication
, United Kingdom
ISBN
9780851708553
SKU
V9780851708553
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-50
About June Givanni
June Givanni was Editor of the Black Film Bulletin until 1997 and is now a freelance film programmer and African Cinema consultant/advisor. Imruh Bakari lectures in Media, Film and Communication at King Alfred's College, Winchester, and is co-editor of African Experiences of Cinema (bfi, 996)
Reviews for Symbolic Narratives / African Cinema: Audiences, Theory and the Moving Image