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The Confessions of Frannie Langton: The Costa Book Awards First Novel Winner 2019
Sara Collins
FREE Delivery in Ireland
Description for The Confessions of Frannie Langton: The Costa Book Awards First Novel Winner 2019
Paperback.
'Deep-diving and elegant . . . Wide Sargasso Sea meets Beloved meets Alias Grace' Margaret Atwood
'Compulsive' Emma Donoghue
'A star in the making' Sunday Times
'Gothic fiction made brand new' Stef Penney
'Stunning' Guardian
'Spectacular' Natasha Pulley
'Dazzlingly original' The Times
'A heroine for our times' Elizabeth Day
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'They say I must be put to death for what happened to Madame, and they want me to confess. But how can I confess what I don't believe I've done?'
1826, and all of London is in a frenzy. Crowds gather at the gates ... Read moreof the Old Bailey to watch as Frannie Langton, maid to Mr and Mrs Benham, goes on trial for their murder. The testimonies against her are damning - slave, whore, seductress. And they may be the truth. But they are not the whole truth.
For the first time Frannie must tell her story. It begins with a girl learning to read on a plantation in Jamaica, and it ends in a grand house in London, where a beautiful woman waits to be freed.
But through her fevered confessions, one burning question haunts Frannie Langton: could she have murdered the only person she ever loved?
A beautiful and haunting tale about one woman's fight to tell her story, The Confessions of Frannie Langton leads you through laudanum-laced dressing rooms and dark-as-night back alleys, into the enthralling heart of Georgian London
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'Prepare to pass it on to friend after friend' Stylist Show Less
Product Details
Publisher
Penguin Books Ltd
Place of Publication
London, United Kingdom
Shipping Time
Usually ships in 2 to 4 working days
About Sara Collins
Sara Collins studied law at the London School of Economics and worked as a lawyer for seventeen years. In 2014 she embarked upon the Creative Writing Masters at Cambridge University, where she won the 2015 Michael Holroyd Prize of Re-creative Writing and was shortlisted for the 2016 Lucy Cavendish Prize for a book inspired by her love of gothic fiction. ... Read moreThis turned into her first novel, The Confessions of Frannie Langton. Show Less
Reviews for The Confessions of Frannie Langton: The Costa Book Awards First Novel Winner 2019
A bold and timely reinvention of the classic gothic novel ( . . .) which, with its tentative exploration of passion and transgression of boundaries, is reminiscent of the best of Sarah Waters
Observer
Wide Sargasso Sea meets Beloved meets Alias Grace . . . deep-diving, elegant Sara Collins takes the gothic genre by the scruff of ... Read morethe neck...a triumph of powerful characterisation melded with suspenseful plotting while also breaking new ground in subverting a familiar genre
Bernadine Evaristo
The Guardian Best Books of 2019
Frannie Langton is an unforgettable heroine, one who boldly reclaims her narrative within the context of a history that seeks to silence her. The Confessions of Fannie Langton is gorgeous-Gothic writing at its very best A seductive and entrancing read, with captivating historical detail...The Confessions of Frannie Langton is an extremely powerful book that resonates long after the final page has been turned. An impressive debut, dazzlingly original
The Times
Bold and powerful
The Sunday Times
With echoes of Jean Rhys's Wide Sargasso Sea and Sara Waters's The Paying Guests, this is an accomplished debut novel that perfectly captures the atmosphere of Georgian London and gives voice to a singular and unforgettable heroine
Red Magazine
'I usually pick proofs up, read the blurb, maybe read a few pages... and that is usually that. This time, I started reading it - and then I couldn't stop. Sara Collins has created a tough, fiery, vividly alive character. Beautifully written, in crisp and careful prose; but more than that, it comes across as a story that's been waiting to be written for a very long time...[Collins] has picked up the tradition of gothic fiction and made it brand new.' By turns lush, gritty, wry, gothic and compulsive, The Confessions of Frannie Langton is a dazzling page turner. With as much psychological savvy as righteous wrath, Sara Collins twists together the slave narrative, bildungsroman, love story and crime novel to make something new.' A book of heart, soul and guts...beautifully written, lushly evocative, and righteously furious. Frannie might be a 19th century character, but she is also a heroine for our times Original and evocative . . . vivid characters, lush settings, a captivating heroine and an intelligent, unsentimental analysis of her tragic history
Irish Times
I loved this novel. A literary page-turner, an engrossing murder mystery, and a deep meditation on freedom, choice, and what it means to have a voice, Sara Collins' writing is as seductive as it is elusive - just like Frannie Langton herself. For all its horrors, I could have dallied in this opium-addled world with Frannie endlessly, another addict, hooked on Collins' words. One of those page-turners that require a good long weekend to savour it. It's brilliantly written, very funny in parts, sexy, clever and a book that will keep you guessing until the end
Kit de Waal
Irish Times Books of the Year 2019
I loved it...Not only a good read but an important book, reminding us of both how far the world has come and how little it has changed. I was gripped, amused, and saddened. I ate Sara Collins' words up as though they were the sugar, or laudanum, that she writes about so evocatively. It's a glory of a book. An accomplished and powerful debut [that] recalls the best of Sarah Waters...Collins's crisp, precise prose and simmering atmosphere of danger are as seductive as her protagonist...I cannot recommend highly enough What an extraordinary, exhilarating and fiercely intelligent book. I loved Frannie and she felt so very real and alive to me Frannie's voice is compelling: tender and furious and wholly deserving of attention A spectacular, dark novel, with elements of Jane Eyre and Paradise Lost . . . Just like all really good Gothic stories, it keeps you balancing right on the edge of not wanting to look, but feeling like you can't look away . . . An absolute gem that points at you and asks whether it might be a sign of horrifying privilege, to enjoy a genre devoted to the grotesque. This book is the full package - we all loved it
Costa Judges A fantastically assured piece of historical gothic
The Guardian Best Fiction of 2019
Frannie Langton is a unique literary creation in this pitch-perfect gothic novel: a Jamaican former slave who is both the heart and heroine of the story. I loved this moving, beguiling, gorgeously-written book Collins has created in her title character a complex, melancholy, and trenchantly observant protagonist; too conflicted in motivation, perhaps, to be considered a heroine but as dynamic and compelling as any character conceived by a Brontë sister. Collins invokes both Voltaire and Defoe here, and she forges an unlikely but sadly harmonic connection with both these enlightenment heroes in her gripping, groundbreaking debut.
Kirkus
Sweeping and addictive...Collins has created an epic tale that'll make for total book club joy. Prepare to pass it on to friend after friend
Stylist
Frannie Langton shows us a world of men doing their utmost to make her a monster - but she is defiantly, thoughtfully human, her urgent words holding a mirror up to others' misdeeds, and her own. Sara Collins' writing moves with subtle energy, fleshing out a 19th-century world of plantations and London bawdy-houses that feels as real as the palm of your hand A stunning debut...the old gothic soaks The Confessions of Frannie Langton so richly that fumes come off it . . . That's why I love this book. Collins hasn't just written an authentic gothic novel: she rugby tackles the notion of the saintly girl who emerges from suffering rather improved by it... Between her historical research, Frannie's voice and a plot that never slows to a walk, the novel pulls the gothic into new territory and links it back to its origins. It points at the reader and asks whether it might be a sign of atrocious privilege to enjoy a genre devoted to the grotesque - especially when the grotesquerie comes from things that might plausibly have happened in the name of science and sugar money
Guardian
A powerful meditation on slavery, racism and autonomy
New Scientist
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