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First Prize for the Worst Witch
Jill Murphy
€ 11.99
€ 10.49
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Description for First Prize for the Worst Witch
CD-Audio.
Penguin presents the CD edition of First Prize for the Worst Witch by Jill Murphy, read by Gemma Arterton. Accident-prone Mildred Hubble is the Worst Witch at Miss Cackle's Academy. She's always getting her spells wrong and landing herself in trouble. But Mildred is in the last term of Fourth Year and determined to prove that she's not as useless as everyone thinks - could it be First Prize for the worst witch after all? The Worst Witch is back - and it's as subtly feminist as ever - New Statesman ... Read more
Penguin presents the CD edition of First Prize for the Worst Witch by Jill Murphy, read by Gemma Arterton. Accident-prone Mildred Hubble is the Worst Witch at Miss Cackle's Academy. She's always getting her spells wrong and landing herself in trouble. But Mildred is in the last term of Fourth Year and determined to prove that she's not as useless as everyone thinks - could it be First Prize for the worst witch after all? The Worst Witch is back - and it's as subtly feminist as ever - New Statesman ... Read more
Product Details
Publisher
Penguin Books Ltd
Format
CD
Publication date
2018
Condition
New
Place of Publication
, United Kingdom
ISBN
9780241357293
SKU
V9780241357293
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-99
About Jill Murphy
Jill Murphy was born in London in 1949. From a very early age she was drawing and writing stories, and was already putting books together (literally, with a stapler) by the time she was six. She went on to study at Chelsea, Croydon and Camberwell Schools of Art. Jill worked in a children's home for four years and as a ... Read more
Reviews for First Prize for the Worst Witch
Now that's TV magic: With stunning special effects and a whole coven of top-notch stars, CBBC's The Worst Witch will cast a spell on young and old alike
Daily Mail
The Worst Witch is back - and it's as subtly feminist as ever
New Statesman
Daily Mail
The Worst Witch is back - and it's as subtly feminist as ever
New Statesman