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Cleanness
Garth Greenwell
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Description for Cleanness
Hardback.
Cleanness revisits and expands the world of Garth Greenwell’s beloved debut, What Belongs to You, declared ‘an instant classic’ by the New York Times Book Review. In exacting, elegant prose, Greenwell transcribes the strange dialects of desire, cementing his stature as one of our most vital living writers.
‘This is an exceptional work of fiction, which places Greenwell among the very best contemporary novelists.’ – Independent
Sofia, Bulgaria, a landlocked city in southern Europe, stirs with hope and impending upheaval. Soviet buildings crumble, wind scatters sand from the far south, and political protesters flood the streets with song.
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In this atmosphere of disquiet, an American teacher navigates a life transformed by the discovery and loss of love. As he prepares to leave the place he’s come to call home, he grapples with the intimate encounters that have marked his years abroad, each bearing uncanny reminders of his past. A queer student’s confession recalls his own first love, a stranger’s seduction devolves into paternal sadism, and a romance with a younger man opens, and heals, old wounds. Each echo reveals startling insights about what it means to seek connection: with those we love, with the places we inhabit, and with our own fugitive selves.
Chosen as a book of the year in the New Yorker, Daily Telegraph, Observer and Irish Times. Show Less
Product Details
Place of Publication
London, United Kingdom
Shipping Time
Usually ships in 2 to 4 working days
About Garth Greenwell
Garth Greenwell is the author of Cleanness. His novel What Belongs to You won the British Book Award for Debut of the Year, was longlisted for the National Book Award, and was a finalist for six other awards, including the James Tait Black Prize, the PEN/Faulkner Award and the Los Angeles Times Book Prize. A New York Times Book Review ... Read moreEditors’ Choice, it was named a Best Book of 2016 by over fifty publications in nine countries, and is being translated into a dozen languages. His novella Mitko won the Miami University Press Novella Prize and was a finalist for the Edmund White Award for Debut Fiction and a Lambda Literary Award. His fiction has appeared in the New Yorker, the Paris Review, A Public Space, and VICE, and he has written criticism for the New Yorker, the London Review of Books, and the New York Times Book Review, among others. He lives in Iowa City. Show Less
Reviews for Cleanness
Greenwell may be the finest writer of sex currently at work. He is certainly the most exhilarating . . . If the book is imagined as a body, then cleanness – a total lack of shame in putting sexual passion on the page – is what it achieves in these refreshing depictions. In one brilliant passage, Greenwell even redeems pornographic ... Read morelanguage itself . . . a glorious, affirmative vision.
Michael LaPointe
TLS
Cleanness is stunning, provocatively revelatory and atmospherically profound. Here is love and sex as art, as pulse, as truth.
Lisa Taddeo, author of Three Women a brilliant examination of love and intimacy
SJ Watson
The Times
Garth Greenwell is an intensely beautiful and gorgeous writer. I can think of no contemporary author who brings as much reality and honesty to the description of sex—locating in it the sublime, as well as our deepest degradations, our sweetness, confusion, and rage
Sheila Heti, author of Motherhood An unbearably wonderful, eloquently sexual, thoughtful, emotional delight of a novel - Garth Greenwell writes like no one else
Eimear McBride Cleanness is a impressive book: moving, radical, both beautiful and violent, unexpected. Garth Greenwell is a major writer, and his writing provides us tools to affirm ourselves, to exist - to fight
Edouard Louis, author of The End of Eddy. Cleanness reaches into the relationship between masculinity and violence with more depth than any book I’ve read in a very long time, and it does it by elaborating both the tender and brutal means that men who try to love other men employ to survive the violence they inherited and the violence they still possess. It is, in the best sense, a disturbing book for the simple reason that it speaks the truth
Adam Haslett, author of Imagine Me Gone So rarely do words make comprehensible the inevitability and confusion of desire as Garth Greenwell’s writing does. His sensibility is akin to James Baldwin’s, and he observes the world with eyes like those of Tolstoy. With shimmering prose and undiluted intensity, Cleanness captures the indefinableness of pain and intimacy, love and alienation, vulnerability and sustainability
Yiyun Li, author of Where Reasons End It has been four years since Garth Greenwell’s stunning debut, What Belongs To You, was published. I don’t think I have read a better new novel in all that time, so to discover that his follow-up is every bit as exquisite was a mixture of relief and joy . . . Greenwell’s prose possesses the same luminescence, shimmering with emotional truth . . . This is an exceptional work of fiction, which places Greenwell among the very best contemporary novelists.
Lucy Scholes
Independent
In Cleanness, I found an end to a loneliness I didn't know — until now — how to describe. Greenwell maps the worlds our language walls off—sex, love, shame and friendship, the foreign and the familiar—and finds the sublime. There are visceral shocks like I’ve never encountered in print, and they delighted me, again and again. With each plunge we take beneath the surface of life, lost and new worlds appear. This could only be the work of a master
Alexander Chee, author of How to Write an Autobiographical Novel The casual grandeur of Garth Greenwell’s prose, unfurling in page-long paragraphs and elegantly garrulous sentences, tempts the vulnerable reader into danger zones: traumatic memories, extreme sexual scenarios, states of paralyzing heartbreak and loss . . . These stories are masterpieces of radical eroticism, but they wouldn’t have the same impact if they didn’t appear in a gorgeously varied narrative fabric, amid scenes of more wholesome love, finely sketched vistas of political unrest, haunting evocations of a damaged childhood, and moments of mundane rapture. Tenderness, violence, animosity, and compassion are the outer edges of what feels like a total map of the human condition
Alex Ross
New Yorker
Garth Greenwell’s sentences are magical and spellbinding. They breathe, and are alive, in completely unpredictable ways. Words are voyages, says John Donne. Greenwell is a novelist whose art makes a poet stand on his toes
Ilya Kaminsky, author of Deaf Republic A novel of devastating honesty and beauty. A gorgeous literary line runs from Death in Venice to Giovanni's Room to A Boy's Own Story to What Belongs to You, and, now, Cleanness, and I will follow it to the last word
David Ebershoff, author of The Danish Girl and The 19th Wife I don't know how Garth Greenwell writes such delicate, profane fiction. Reading this book made me want to sit with my emotions and desires; it made me want to be a better writer.
Carmen Maria Machado, author of Her Body and Other Parties Garth Greenwell, whose first book is a masterpiece, amazingly has written a second book that is also a masterpiece. The great enterprise that Joyce and Lawrence began—to write with utter literal candor about sex, grounding one’s moral life and philosophical insight in what that candor reveals about us—finds fulfillment, a late apotheosis, in Greenwell’s work. Cleanness is the act of a master
Frank Bidart If Henry James were alive in this strange century, if Thomas Mann had been allowed to write raw sex, if Virginia Woolf had slummed it more, if Proust had been born in Kentucky, if they all commingled their blood and brains, we might get something like Garth Greenwell. Cleanness is indescribable, and it is genius.
Rebecca Makkai, author of The Great Believers The narrator of Greenwell’s debut What Belongs to You returns in this masterpiece of intimacy. An American expat soon to leave his post in Bulgaria, he looks back at his encounters — those rooted in love and those ones where feeling emerged unexpected — recounting, in Greenwell’s seamless, acute prose, the violence and surrender, gestures and codes of love and sex.
Financial Times
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