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The Bee Sting
Paul Murray
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Description for The Bee Sting
Paperback.
THE MULTI AWARD-WINNING NOVEL FROM ONE OF OUR GREATEST LIVING COMEDIC WRITERS
'A tragicomic triumph. You won't read a sadder, truer, funnier novel this year' Guardian
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The Barnes family are in trouble.
Until recently they ran the biggest business in town, now they’re teetering on the brink of bankruptcy – and that’s just the start of their problems. Dickie and Imelda’s marriage is hanging by a thread; straight-A student Cass is careening off the rails; PJ is hopelessly in debt to the school bully.
Meanwhile the ghosts of old mistakes are rising out of the past to meet ... Read morethem, but everyone’s too wrapped up in the present to see the danger looming . . .
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'Generous, immersive, sharp-witted and devastating; the sort of novel that becomes a friend for life' Financial Times
‘Paul Murray [is] the undisputed reigning champion of epic Irish tragicomedy’ Spectator
‘An instant classic’ Washington Post
‘[An] astute, remorselessly funny novel’ Daily Mirror
‘A wagyu steak of a novel . . . A classic in the mode of The Corrections’ The Times
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WINNER OF THE NERO BOOK AWARD FOR FICTION 2023
WINNER OF THE SKY ARTS AWARD FOR LITERATURE 2024
WINNER OF AN POST IRISH BOOK OF THE YEAR 2023
SHORTLISTED FOR THE BOOKER PRIZE 2023
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Product Details
Place of Publication
London, United Kingdom
Shipping Time
Usually ships in 2 to 4 working days
About Paul Murray
Paul Murray was born in Dublin in 1975 and is the author of An Evening of Long Goodbyes, Skippy Dies, The Mark and the Void and The Bee Sting. An Evening of Long Goodbyes was shortlisted for the Whitbread First Novel Award and nominated for the Kerry Group Irish Fiction Award. Skippy Dies was shortlisted for the Costa Novel Award ... Read moreand the National Book Critics Circle Award, and longlisted for the Booker Prize. The Mark and the Void won the Everyman Wodehouse Prize. The Bee Sting won the Nero Book of the Year Award and the An Post Irish Book of the Year, and was shortlisted for the Booker Prize, the Writers’ Prize for Fiction and the Kirkus Prize for Fiction. Paul Murray lives in Dublin. Show Less
Reviews for The Bee Sting
It can't be overstated how purely pleasurable The Bee Sting is to read. Murray's brilliant new novel, about a rural Irish clan, posits the author as Dublin's answer to Jonathan Franzen . . . A 650-page slab of compulsive high-grade entertainment, The Bee Sting oozes pathos while being very funny to boot . . . Murray's observational gifts and A-game ... Read morephrase-making render almost every page - every line, it sometimes seems - abuzz with fresh and funny insights . . . At its core this is a novel concerned with the ties that bind, secrets and lies, love and loss. They're all here, brought to life with captivating vigour in a first-class performance to cherish
Observer (Anthony Cummins)
The Bee Sting is the finest novel that Murray has yet written and will surely be one of the books of 2023 . . . It bears comparison to the brilliant comic writer Jonathan Coe... But Murray is his own writer, capable of keeping a multi-faceted and compulsive plot moving along with alacrity and confidence, while seamlessly blending drama, comedy and heartbreak... For 13 years, Paul Murray has been best known as the author of Skippy Dies. That, I suspect, is about to change
Sunday Independent
Immersive, brilliantly structured, beautifully written, so dense yet so compelling, [and] as laugh-out-loud funny as it is deeply disturbing . . . The Bee Sting is as ambitious as anything that has gone before, but with a focus and shape that grants it great depth as well as breadth. Seriously, all you need is this, your suntan lotion and a few days off work and you're good to go . . . I didn't see the plot twists coming. And they keep on coming, And coming again . . . I began with an ovation. I'll end abruptly, and in awe... Paul Murray, the undisputed reigning champion of epic Irish tragicomedy, has done it again
The Spectator (Ian Samson)
The most enjoyable new novel I came across this year. A sprawling, Franzen-esque saga about the Barnes family in Ireland recovering from the 2008 financial crisis, it’s an amazing piece of realist fiction, full-bodied, multi-narrative; a huge swing by Murray
Bret Easton Ellis
Observer
A triumph. The Bee Sting deserves all the praise I am heaping on it. It is generous, immersive, sharp-witted and devastating; the sort of novel that becomes a friend for life
Financial Times (John Self)
Expertly foreshadowed and so intricately put together, a brilliantly funny, deeply sad portrait of an Irish family in crisis . . . Murray is triumphantly back on home turf - troubled adolescents, regretful adults, secrets signposted and exquisitely revealed, each line soaked in irony ranging from the gentle to the savage . . . We live though hundreds of pages on tenterhooks, and the suspense and revelations keep coming until the end [...] He is brilliant on fathers and sons, sibling rivalry, grief, self-sabotage and self-denial, as well as the terrible weakness humans have for magical thinking... A tragicomic triumph, you won't read a sadder, truer, funnier novel this year
Guardian (Justine Jordan)
This bumper novel is already gaining plaudits as the book of the summer, and if it's a meaty, heart punching, expertly executed family saga you need this August, then you can stop the search now . . . Murray delivers scarcely a duff sentence in a 600-page novel that's pure unadulterated pleasure. It's been compared to Jonathan Franzen's The Corrections; I'd argue it's better than that
Daily Mail (Claire Allfree)
No one writes tragicomedy as good as this . . . Both brilliant entertainment and a penetrating look at the human condition, as heavy with pathos as it is rich with humour. And if 650 pages asks a lot of the reader, in this case it more than delivers
Nick Duerden
iNews
Delightfully rackety, raucously funny... The Bee Sting is on a par with Skippy Dies, Murray's most beloved book, and certainly exceeds it in ambition. A masterpiece
Irish Independent
Murray is a natural storyteller who knows when to withhold, to indulge, to surprise. He specialises, like Dickens, in lengthy sagas that are mammoth in scope, generous with detail and backstory, flush with humour and colourful characters, all of it steeped in social realism . . . Ambitious, expansive, hugely entertaining tragicomic fiction
Irish Times (Sarah Gilmartin)
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