SIX FRIENDS. ONE REMOTE HOTEL. A LONG-OVERDUE REUNION.

WELCOME TO THE HITCHCOCK HOTEL . . .

'Wrobel wittily recreates the mood of creeping suspense and comic horror that makes Hitchcock movies so endlessly entertaining' The Times

'Fans of Knives Out, Agatha Christie, and (of course) Alfred Hitchcock, rejoice! The Hitchcock Hotel is cool, classy – but such fun; reverent – yet so original' A.J Finn

'As twisty as a Hitchcock film' Alex Michaelides

'A scream from start to finish' Janice Hallett

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Alfred Smettle adores Hitchcock.
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And who better to become founder, owner and manager of The Hitchcock Hotel, a remote, sprawling Victorian house sitting atop a hill in the beautiful White Mountains, New England. There, guests can find movie props and memorabilia in every room, round-the-clock film screenings, and an aviary with fifty crows.

For the hotel's first anniversary, Alfred invites the five college friends he studied film with. He hasn't spoken to any of them in sixteen years.

Not after what happened.

But who better to appreciate Alfred's creation?

His guests arrive, and everything seems to go according to plan. Until one glimpses someone standing outside her shower curtain.

Another is violently ill every time she eats the hotel food. Then their mobile phones go missing.

You should always make the audience suffer as much as possible, right?

The guests are stuck in the middle of nowhere, and things are about to get even worse. After all, no Hitchcock set is complete without a dead body.

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'A slow burn of suspense, secrets, and lies that – in true Hitchcockian fashion - explodes into a series of twists, each more jaw-dropping than the last' Riley Sager

‘Artful construction, shudder-inducing suspense, and cinematic sparkle make The Hitchcock Hotel the perfect weekend escape’ Tess Wegert

‘A master stylist, Stephanie Wrobel strikes again with well-drawn characters, intricate plotting, satisfying surprises, and first-class entertainment. Endlessly clever, ridiculously entertaining, and so damn fun’ Kathleen West

PRAISE FOR STEPHANIE WROBEL:

'Sensationally good – Wrobel is one to watch' Lee Child

'Worthy of Patricia Highsmith at her finest: quite superb' Daily Mail

'A riveting psychological duel' Sunday Times

'Expertly paced, hugely unsettling, and perfectly dark' Ashley Audrain

'A total page-turner' Lisa Jewell

'A spine-chilling thriller' Stylish